Laurie Frink Career Grant

 

The mission of the Laurie Frink Career Grant is to offer to a young brass player an opportunity for serious study or to undertake a creative project. Watching some of her students struggle with the financial burden was heartbreaking to Laurie. Whenever possible, she would put them on her own personal scholarship - free lessons. The goal is to be a grant of $10,000 awarded to an extraordinarily talented player every two years: a grant that would be life changing.

Eligibility is open to jazz brass players between the ages of 18-25 years (must be 25 or under as of May 1, 2022), who are currently not under professional management. Applicants need not be currently enrolled in an academic institution.

The submission period for the 2020 Laurie Frink Career Grant has closed. Check back here in January 2022 for more details on the 2022 LFCG application requirements.

2020 Laurie Frink Career Grant winner: SUMMER CAMARGO

 
Summer Camargo pic.JPG

Summer Camargo, 18, a trumpet player at the Juilliard School, just completed her freshman year of college majoring in Jazz Studies. Summer has been a member of the Grammy Band (2018), the Next Generation Women in Jazz Combo (2019), the Next Generation Jazz Orchestra (2019), and was named a National YoungArts Foundation Merit winner (2017) and Honorable Mention in Jazz Trumpet (2018), as well as Merit winner in Jazz Composition (2018). Summer was Downbeat Magazine’s Outstanding Student Jazz Performance Award recipient (2018). At the 2017, 2018, and 2019 Essentially Ellington Festivals, she received Outstanding Trumpet Soloist Awards; in 2018, Summer won the Ella Fitzgerald Outstanding Soloist Award and the Dr. J. Douglas White Student Composition Contest. She was honored to have the Jazz at Lincoln Center Orchestra record her original big band chart, Leap Froggin’. Summer participated in the Vail Jazz Workshop (2018), Carnegie Hall’s NYO Jazz (2018, 2019), the Monterey Jazz Festival Gala (2019) and played as a guest artist at the Jazz at Lincoln Center Gala (2019) and the Midwest Clinic (2019). This past year, Summer was honored to be a panelist for Jazz at Lincoln Center’s Jazz Congress and joined the Ulysses Owens, Jr. Big Band.

The Festival of New Trumpet Music will host the official ceremony and a virtual performance by Summer on September 8, 2020.
 

For more information, please visit www.fontmusic.org

Thank you very much to all the patrons for their support of this beautiful and ongoing tribute to Laurie.

Past Winners

 

2018 Joint Winners: Giveton Gelin and Aaron Mutchler

Giveton Gelin

Giveton Gelin

Pursuing jazz is difficult when you lack an environment to develop in the Bahamas, but since the age of 10, Giveton Gelin (now 18) has taught himself how to play the trumpet simply by emulating what he would hear on his favorite records. Despite years of self-tutelage, it wasn't until he saw double bass player Adrian D'Aguilar playing live that Giveton realized "there was a place for jazz in the Bahamas!" Through this encounter, Giveton was led to take part in music programs abroad such as The Manhattan School of Music Summer Camp Jazz Band, Manhattan School of Music Summer Camp Latin Jazz Band and The Spike Wilner Trio. Giveton has won top positions at both the YoungArts Foundation and the Betty Carter Jazz ahead program, and has received mentoring from some of the world's greatest jazz musicians including Wynton Marsalis, Nicholas Payton, Eddie Henderson, Barry Harris, Jason Moran, Ralph Peterson, Ambrose Akinmusire and Roy Hargrove. He now continues to excel in his musical growth finishing his first year at Juilliard.

Aaron Mutchler

Aaron Mutchler

A graduate of the University of Miami’s Frost School of Music, Aaron is an up-and-coming jazz artist and audio engineer. Over his many years studying music and engineering, Aaron has accumulated many professional skills such as trumpet performance, composition, arranging, teaching, recording, mixing, mastering, audio editing, and audio plugin design. At the Frost School of Music Aaron studied with Grammy Award winning trumpeter Brian Lynch and performed with the university’s top ensemble, the renowned Concert Jazz Band. Aaron was also fortunate to work with many other incredible trumpeters during his time at the Frost School such as Jean Caze, John Daversa, Ingrid Jenson, Brad Goode, Michael Rodriguez, and Marquis Hill. Aaron has shared the stage with many great artists such as David Liebman, Frank Greene, Dave Holland, Nick Smart, and Steve Miller, among many others.

Some of Aaron’s notable accolades include the 2018 Laurie Frink Career Grant and the 2019 Student Downbeat Award for Best Engineered Studio Recording. He was also a semi-finalist in the National Trumpet Competition Jazz Division for three consecutive years starting in 2017. His professional audio engineering releases include the multi-award winning album Arethusa Falls (2019), by saxophonist Adam Claussen, and the soundtrack to the award winning movie July Rising (2019), scored by Seth Crail and directed by Chauncey Crail.


2016 Winner: Tony Glausi

TonyGlausiJS.jpg

Hailed as "a great writer and a terrific trumpet player" by legendary songwriter Burt Bacharach, Tony Glausi is an international award-winning trumpeter, keyboardist, composer, and producer in New York City.

Among other accolades, Tony won first prize in the 2017 Carmine Caruso International Jazz Solo Competition, first prize in the jazz division of the 2017 ITG International Trumpet Competition, first prize in the jazz division of the 2014 National Trumpet Competition, and he was the sole recipient of the 2016 Laurie Frink Career Grant, an award given every other year to a young brass player in honor of Laurie’s legacy as an incomparably inspiring pedagogue, mentor, and friend.

Growing up in a musical family in Portland, Oregon, Tony resides in New York and performs and records with the likes of Billboard-charting pianist and singer Peter Cincotti, GRAMMY-nominated pianist Randy Porter, highly celebrated vocalist Halie Loren, and a wide array of young rising jazz stars.  Most active as a trumpet player and keyboardist, Glausi is also a diversified composer whose works have been commissioned on many occasions to be performed and recorded by world-class musicians. To date, Glausi has produced seven records of his own music in physical and digital formats, garnering awards, high-praising press, and an ever growing buzz amongst fans of all ages across social media platforms. He has toured dozens of countries around the world playing at renowned festivals and clubs including the Montreux Jazz Festival in Switzerland, the Leopolis Jazz Festival in Ukraine, the New Morning in Paris, and the Blue Note in New York, while also having performed as a featured guest artist with ensembles such as the United States Marine Corps All Star Jazz Band, the Eugene Symphony, and many high school and college bands throughout the states.

Tony is on teaching staff at The New School for Jazz and Contemporary Music in New York and over the years has also held teaching positions at the University of Oregon, where he completed his degrees, and the John G. Shedd Institute for the Arts, where he eventually founded the Shedd Youth Jazz Orchestras.


2014 Winner: Riley Mulherkar

Credit: Lauren Desberg

Credit: Lauren Desberg

Riley Mulherkar has been recognized as a “smart young trumpet player” by The New York Times, praised by The Wall Street Journal as a “youngster to keep an eye on,” and is a 2020 recipient of Lincoln Center’s Emerging Artist Award for his work as “an original bandleader, composer, arranger, educator, community activist and advocate for jazz and the arts.”

Riley works with a number of leading artists of our time, including Wynton Marsalis, Anna Deavere Smith, and Alan Cumming, and is a founding member of The Westerlies, a new music brass quartet that creates the rarest of hybrids: music that is both “folk-like and composerly, lovely and intellectually rigorous” (NPR Music). Riley also serves as Artistic Director for Jazz at Joye in Aiken, bringing leading young talent to the historic city of Aiken, South Carolina.

Born and raised in Seattle, Riley moved to New York in 2010 to study at The Juilliard School, where he completed his Bachelor’s Degree in 2014 and his Master’s in 2015. In 2014, he was the first recipient of the Laurie Frink Career Grant at the Festival of New Trumpet Music.

Riley is actively engaged in educational outreach, directing the Summer Advanced Institute at Seattle JazzEd, and serving as an ambassador for Jazz at Lincoln Center’s “Jazz for Young People” program in New York and St. Louis from 2016 – 2018. Riley is an Edwards Artist and performs on Edwards trumpets.

FAQs

I’m a French horn player. Can I apply?

You are a brass player, but do you also play jazz and improvise? If so, yes!

I’m not in school. Can I apply?

Are you 25 or younger, as of May 1, 2020? If so, yes!

I’m in school for engineering. Can I apply?

Do you play a brass instrument in a jazz style? Do you improvise? If so, yes! If no, I hope you will consider giving all your engineering riches to support music.

I write music, can I use my own compositions to apply for the grant?

As long as one of your MP3 submissions is from the standard jazz repertoire, then the other two can be anything you’d like, including your own compositions. Remember to play the melody and improvise over the form. 

Can I edit my MP3?

If your track is longer than 4 minutes, please do! Remember that the judges are listening to a lot of submissions, so make sure that each track represents your best playing. We don’t need to hear long, vamp-y introductions… just cut to the chase. We want to hear YOU!

I play avant-garde jazz. Can I play free jazz (without changes) for my submissions?

As long as one of your MP3s is an example of you playing the melody and improvising over the changes of a jazz standard, then you can upload whatever you think shows off your musical capabilities and jazz prowess the best.

What is a letter of intent?

This is a chance for the panel of judges to get to know about you, your musicality, and your vision for how the Laurie Frink Career Grant will help you grow further as a musician. In the letter, introduce yourself and the proposed project or course of study. Make sure to include a rough outline for how the funds will be dispersed throughout the course of your project. (i.e. I plan on using $__ for trumpet lessons, $__ for composition/ear-training lessons, $__ for travel, etc.)

I’d like to study with a teacher in Brazil. Can I use this grant for that purpose?

Yes! The grant can be used for both national and international projects and/or private instruction.

Can I use the grant funds towards a recording project?

A certain percentage of the grant may be used towards a recording (if the panel deems it to be a suitable educational project), but the majority of the funds must go towards study and musical development.

Can I write my bio in bullet point form?

No. Please use complete sentences. Grammar is a wonderful tool for musicians.

Can my private teacher write my letter of recommendation?

Yes. Your letter can be written by your private instructor, current/old band director, or a professional musician you regularly work with. Someone that can attest to your musicianship and dedication to the project.

When will I know the results?

The panel meets in June 2020. The winner will be notified by phone of the panel’s decision. At that time, we will discuss the possibility of the recipient being involved in the FONT Festival in September 2020. All applicants will receive notification of results by August 1, 2020.

I still have questions. Who should I contact?

Email lauriefrinkcareergrant@gmail.com

I’m having problems with the form. Who should I contact?

Email lauriefrinkcareergrant@gmail.com. Please try to submit your application earlier than an hour before the deadline to save yourself some stress.